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Utpattivada and Bhuktivada are two classical Indian theories related to the origin and realization of Rasa in aesthetics. Utpattivada, supported by scholars like Bhatta Lollata, holds that Rasa is produced (utpatti) in the performance itself, particularly through the actor’s expression and representation. In contrast, Bhuktivada, advocated by Bhatta Nayaka, ______ _____ _____ _________ __________.
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