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Epic theatre is a theatrical movement associated primarily with the German playwright Bertolt Brecht. Developed in the early 20th century, it aimed to provoke rational thought rather than emotional immersion. Unlike traditional theatre, which encourages audiences to identify with characters and become emotionally involved in the narrative, epic theatre seeks to create a sense of critical detachment. This approach allows viewers to _____ ____ ____ __________ ________ ___ __________ ________ ___ _____ ______ _____.
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