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According to the Indian musical tradition, rhythm or tala is regarded as the lifeline of music and dance, providing a structured framework for rendering. The concept of “tala ke das prana” is mentioned in ancient texts such as *Natya Shastra* and *Sangeet Ratnakar*, where ten essential elements of tala are described as its vital principles. These principles are the foundation that governs rhythmic patterns, cycles, and execution in Indian classical music. Each of these pranas has a distinct role in shaping the character of a tala and ensuring its proper application. The first prana is *Kāla*, which refers to the temporal aspect or time unit in tala. _______ __________ ___ ________ _____ _________.
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